BB numbers refer to the numbering within László Somfai’s forthcoming catalog of Bartók’s works, see Somfai, Béla Bartók: Composition, Concepts, and Autograph Sources (Berkeley, CA: University of California Press, 1996), 297ff.
CE numbers refer to the numbering of the Complete Edition volumes.
BB | Work title | Composed | CE |
---|---|---|---|
1 | Early piano pieces, opp. 1–31 [first opus numbering] | 1890–1894 | 34 |
2a | Sonata No. 1 for piano (G minor), op. 1 [second opus numbering] | 1894 | 35 |
2b | Scherzo (G minor), for piano | 1894 | 35 |
3 | Fantasia for piano (A minor), op. 2 | 1895 | 35 |
4 | Sonata No. 2 for piano (F major), op. 3 | 1895 | 35 |
5 | Capriccio for piano (B minor), op. 4 | 1895 | 35 |
6 | Sonata for Violin and Piano (C minor), op. 5 | 1895 | 27 |
7 | (Lost works, opp. 6–12) | 1895–1897 | – |
8 | Drei Klavierstücke, op. 13 | 1897 | 35 |
9 | (Lost works, opp. 14–16) | 1897 | – |
10 | Sonata for Violin and Piano (A major), op. 17 | 1897 | 27 |
11 | Scherzo oder Fantasie for piano (B major), op. 18 | 1897 | 35 |
12 | Sonata for piano (A flat major), op. 19 (“op. 1”) | 1898 | 35 |
13 | Piano Quartet (C minor), op. 20 | 1898 | 27 |
14 | Drei Klavierstücke, op. 21 (“op. 5”) | 1898 | 35 |
15 | Drei Lieder for voice and piano | 1898 | 11 |
16 | Scherzo for piano (B minor) | 1898 | 35 |
17 | String Quartet (F major) | 1898 | 27 |
18 | Tiefblaue Veilchen for voice and orchestra | 1899 | 8 |
19 | Studies in composition | 1899–1901 | 47 |
20 | Liebeslieder for voice and piano | 1900 | 11 |
21 | Scherzo (F.F.B.B.) for piano | 1900 | 35 |
22 | Variations for piano | 1900–1901 | 35 |
23 | Tempo di minuet for piano | 1901 | 35 |
24 | Four Songs to Texts by Lajos Pósa for voice and piano | 1902 | 11 |
25 | Symphony for orchestra (fragment) | 1902 | 12 |
26a | Duo for two violins | 1902 | 27 |
26b | Andante (A major) for violin and piano | 1902 | 27 |
27 | Four Piano Pieces | 1903 | 35 |
28 | Sonata for Violin and Piano | 1903 | 27 |
29 | Evening for voice and piano | 1903 | 11 |
30 | Evening for men’s voices | 1903 | 9 |
31 | Kossuth Symphonic Poem for orchestra | 1903 | 12 |
31 | Marche funèbre for piano | 1903 | 42 |
32 | Four Songs for voice and piano (lost) | 1903 | – |
33 | Piano Quintet | 1903–1904 | 28 |
34 | Székely Folk Song for voice and piano | 1904 | 10 |
35 | Scherzo for orchestra and piano, op. 2 [final opus numbering] | 1904 | 13 |
35 | Scherzo for orchestra and piano, op. 2, reduction for two pianos | 45 | |
36a | Rhapsody for piano, op. 1 | 1904 | 35 |
36b | Rhapsody for piano and orchestra, op. 1 | 1905 | 13 |
36b | Rhapsody for piano and orchestra, op. 1, reduction for two pianos | 45 | |
37 | Hungarian Folk Songs for voice and piano | 1904–1905 | 10 |
38 | Petits morceaux for piano | 1905 | 35 |
39 | Suite No. 1 for orchestra, op. 3 | 1905 | 14 |
40 | Suite No. 2 for orchestra, op. 4 | 1905–1907 | 15 |
41 | Children’s Songs for voice and piano | 1905 | 11 |
42 | Hungarian Folk Songs for voice and piano, [Volume I], Nos. 1–10 | 1906 | 10 |
43 | Hungarian Folk Songs for voice and piano, Volume II | 1906–1907 | 10 |
44 | Two Hungarian Folk Songs for voice and piano | 1907 | 10 |
45a | From Gyergyó for recorder and piano | 1907 | 27 |
45b | Three Hungarian Folk Songs from Csík for piano | 1907 | 36 |
46 | Four Slovak Folk Songs for voice and piano | 1907? | 10 |
47 | Eight Hungarian Folk Songs for voice and piano | 1907–1917 | 10 |
48a | Violin Concerto (No. 1) | 1907–1908 | 16 |
48a | Violin Concerto (No. 1), piano reduction | 46 | |
48b | Two Portraits for orchestra, op. 5 | 1907–1911 | 16 |
49 | Two Elegies for piano, op. 8b | 1908–1909 | 36 |
50 | Fourteen Bagatelles for piano, op. 6 | 1908 | 36 |
51 | Ten Easy Piano Pieces | 1908 | 36 |
52 | String Quartet No. 1, op. 7 | 1908–1909 | 29, 30 |
53 | For Children for piano | 1908–1910 | 37 |
53add | Béla Bartók–Joseph Szigeti: Hungarian Folk Tunes for violin and piano | 1926 | 32 |
54 | Seven Sketches for piano, op. 9b | 1908–1910 | 36 |
55 | Three Burlesques for piano, op. 8c | 1908–1911 | 36 |
56 | Two Romanian Dances for piano, op. 8a | 1909–1910 | 36 |
57 | Two Romanian Folk Songs for women’s voices | 1909? | 9 |
58 | Four Dirges for piano, op. 9a | c1909–1910 | 36 |
59 | Two Pictures for orchestra, op. 10 | 1910 | 16 |
59 | Two Pictures for orchestra, op. 10, piano transcription | 42 | |
60 | Four Old Hungarian Folk Songs for men’s voices | 1910, rev. 1926 | 9 |
61 | Romanian Dance for orchestra | 1911 | 26 |
62 | Duke Bluebeard’s Castle, op. 11 | 1911 | 1, 2 |
62 | Duke Bluebeard’s Castle, op. 11, vocal-piano score | 1911 | 43 |
63 | Allegro barbaro for piano | 1911 | 36 |
64 | Four Orchestral Pieces, op. 12 | 1912, 1921 | 17 |
64 | Four Orchestral Pieces, op. 12, piano version | 42 | |
65 | Nine Romanian Folk Songs for voice and piano | 1912? | 10 |
66 | Béla Bartók–Sándor Reschofsky: Piano Method | 1913 | 36 |
66 | The First Term at the Piano | 1929 | 36 |
67 | Romanian Christmas Songs for piano | 1915 | 38 |
68 | Romanian Folk Dances for piano | 1915 | 38 |
69 | Sonatina for piano | 1915 | 38 |
70 | Suite for piano, op. 14 | 1916 | 38 |
71 | Five Songs for voice and piano, op. 15 | 1916 | 11 |
72 | Five Songs to Texts by Endre Ady for voice and piano, op. 16 | 1916 | 11 |
73 | Slovak Folk Song for voice and piano | 1916 | 10 |
74 | The Wooden Prince, op. 13 | 1914–1917 | 3, 4 |
74 | The Wooden Prince, op. 13, piano reduction | 43 | |
75 | String Quartet No. 2, op. 17 | 1914–1917 | 29, 30 |
76 | Romanian Folk Dances for small orchestra | 1917 | 26 |
77 | Four Slovak Folk Songs for mixed voices and piano accompaniment | 1916 | 9 |
78 | Slovak Folk Songs for four-part men’s chorus | 1917 | 9 |
79 | Fifteen Hungarian Peasant Songs for piano | 1914–1918 | 38 |
80a | “Leszállott a páva” for piano | 1914 | 38 |
80b | Three Hungarian Folk Tunes for piano | 1914–1918, rev. 1941 | 38 |
81 | Studies for piano, op. 18 | 1918 | 38 |
82 | The Miraculous Mandarin, op. 19 | 1918–1919, 1924 | 5, 6 |
82 | The Miraculous Mandarin, op. 19, piano reduction | 1923–1924 | 43 |
83 | Improvisations on Hungarian Peasant Songs for piano, op. 20 | 1920 | 38 |
84 | Sonata for Violin and Piano No. 1 | 1921 | 31 |
85 | Sonata for Violin and Piano No. 2 | 1922 | 31 |
86 | Dance Suite for orchestra | 1923 | 17 |
86 | Dance Suite for orchestra, version for piano solo | 1925 | 42 |
87a | Five Village Scenes for a female voice and piano | 1924 | 10 |
87b | Three Village Scenes for 4 or 8 female voices and chamber orchestra | 1926 | 8 |
87b | Three Village Scenes for 4 or 8 female voices and chamber orchestra, vocal-piano score | 44 | |
88 | Sonata for piano | 1926 | 39 |
89 | Out of Doors. Five Piano Pieces | 1926 | 39 |
90 | Nine Little Piano Pieces | 1926 | 39 |
91 | Piano Concerto No. 1 | 1926 | 18 |
91 | Piano Concerto No. 1, reduction for two pianos | 45 | |
92 | Three Rondos on Folk Tunes for piano | 1916–1927 | 39 |
93 | String Quartet No. 3 | 1927 | 29, 30 |
94a | Rhapsody No. 1 for violin and piano | 1928 | 32 |
94b | Rhapsody No. 1 for violin and orchestra | 1928–1929 | 19 |
94c | Rhapsody No. 1 for violoncello and piano | 1928–1929 | 32 |
95 | String Quartet No. 4 | 1928 | 29, 30 |
96a | Rhapsody No. 2 for violin and piano | 1928, rev. 1935 | 32 |
96b | Rhapsody No. 2 for violin and orchestra | 1928–1929, rev. 1935 | 19 |
97 | Five Hungarian Folk Songs for voice and piano | 1928 | 10 |
98 | Twenty Hungarian Folk Songs for voice and piano | 1929 | 10 |
99 | Hungarian Folk Songs for mixed voices | 1930 | 9 |
100 | Cantata profana for tenor, baritone, double chorus, and orchestra | 1930 | 7 |
100 | Cantata profana for tenor, baritone, double chorus, and orchestra, vocal-piano score | 44 | |
101 | Piano Concerto No. 2 | 1930–1931 | 20 |
101 | Piano Concerto No. 2, reduction for two pianos | 45 | |
102a | Béla Bartók–Endre Gertler: Sonatina for violin and piano | c1930 | 32 |
102b | Dances from Transylvania for orchestra | 1931 | 26 |
103 | Hungarian Sketches for orchestra | 1931 | 26 |
104 | Forty-four Duos for two violins | 1931–1932 | 32 |
105 | Mikrokosmos for piano | 1926, 1932–1939 | 40, 41 |
106 | Székely Folk Songs for men’s voices | 1932 | 9 |
107 | Hungarian Peasant Songs for orchestra | 1933 | 26 |
108 | Five Hungarian Folk Songs for voice and orchestra | 1933 | 8 |
109 | Béla Bartók–Tivadar Országh: Hungarian Folk Songs for violin and piano | 1934 | 32 |
110 | String Quartet No. 5 | 1934 | 29, 30 |
111a | Twenty-Seven Two- and Three-Part Choruses for children’s and women’s voices | 1935–1936 | 9 |
111b | Seven Choruses with Orchestra | 1937–1941 | 8 |
112 | From Olden Times for men’s voices | 1935 | 9 |
113 | Petite Suite for piano | 1936 | 39 |
114 | Music for Strings, Percussion, and Celesta | 1936 | 21 |
115 | Sonata for Two Pianos and Percussion | 1937 | 33 |
116 | Contrasts for violin, clarinet, and piano | 1938 | 33 |
117 | Violin Concerto (No. 2) | 1937–1938 | 22 |
117 | Violin Concerto (No. 2), piano reduction | 46 | |
118 | Divertimento for string orchestra | 1939 | 21 |
119 | String Quartet No. 6 | 1939 | 29, 30 |
120 | Seven Pieces from Mikrokosmos for two pianos | 1940 | 42 |
121 | Concerto for Two Pianos and Orchestra | 1940 | 23 |
122 | Suite for Two Pianos, op. 4b | 1941 | 42 |
123 | Concerto for Orchestra | 1943 | 24 |
123 | Concerto for Orchestra, piano transcription | 1944 | 42 |
124 | Sonata for Solo Violin | 1944 | 33 |
125 | The Husband’s Lament (Goat Song) for voice and piano | 1945 | 10 |
126 | Three Ukrainian Folk Songs for voice and piano | 1945 | 10 |
127 | Piano Concerto No. 3 | 1945 | 25 |
128 | Viola Concerto | 1945 | 25 |